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Opinion: How did Sudan go from casting off despotic rule to this?

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Editor’s Note: Justin Lynch is a researcher and analyst in Washington, DC. He is co-author of the book “Sudan’s Unfinished Democracy.” The views expressed here are his own. Read more opinion at CNN.



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Four years ago, almost to the day, the people of Sudan were celebrating a revolution after overthrowing longtime dictator Omar al-Bashir. Now the East African country faces the possibility of a complete collapse similar to the chaos we see today in Yemen or Libya.

Justin Lynch

On Saturday, rival military factions began fighting each other in the capital of Khartoum. The two sides battled for control of the nation’s airports, bases and military compounds. Violence quickly spilled into the streets and across the country.

Some 45 million Sudanese effectively are held hostage and are unable to venture out of their homes for fear of being killed in the crossfire. At least 180 people have perished in the fighting, including three World Food Programme humanitarian workers.

The conflict pits two bitter rivals and their powerful armed forces against each other. On one side are the Sudanese Armed Forces (SAF), led by Gen. Abdel Fattah al-Burhan. On the other side are the Rapid Support Forces (RSF), a paramilitary group led by Mohamed Hamdan Dagalo, known as Hemeti.

There is no good side in this conflict. Both have been accused of a long litany of human rights violations.

How did Sudan go from casting off despotic rule and creating a fledgling democracy a few years ago to teetering on the brink of state collapse?

On April 11, 2019, Sudan’s longtime dictator, Bashir, was overthrown. The cause of Bashir’s removal was months of protests led by Sudan’s unions, which spurred a military coup from the SAF and RSF. Both Burhan and Hemeti joined forces to remove their former boss.

It was a moment of promise because there was hope for democracy. I remember walking around the “sit-in” — a giant carnival of freedom in the middle of Khartoum that protesters had blocked off to demand change. It was electric.

But social movements such as the Sudanese Professionals Association (SPA) — the union behind the protest — often struggle to translate the momentum of their demonstrations into real political power.

The reason for this is, in part, structural. Social movements such as the SPA are often based on grassroots activism. A dictator can arrest one or two leaders of an organization but not an entire country.

However, once a dictator is overthrown, these kinds of social movements often struggle to build the leadership hierarchy necessary during political negotiations that take place. Like many other movements, Sudan’s protesters were unable to translate mobilization into political power.

Civilian leaders entered into a negotiation with the military over the future of the country shortly after Bashir fell in April 2019. The two sides were not evenly matched. Because of these leadership challenges, the pro-democracy forces struggled to bargain with the disciplined military.

Any momentum that pro-democracy advocates had during the negotiations was stamped out in June 2019 when RSF soldiers violently dispersed the sit-in. More than 100 people were killed.

After the June massacre and the leadership challenges, a transitional constitution was signed in August 2019 that gave the SAF and RSF most of the power in Sudan. Burhan was the head of state, and Hemeti was placed in an elevated political position. Elections were promised in 2022, but few believed they would actually happen.

The transitional period began in August 2019, and I interviewed Abdalla Hamdok, the civilian prime minister, several times for a book that I co-wrote on Sudan’s revolution. The way that the constitution was written meant that Hamdok had limited power as the prime minister. Burhan was the head of state and wanted to preserve the powers of the SAF.

Hamdok often told me that revolutions come in cycles. The 2019 removal of Bashir was a high point of revolution, and he saw his job as making as many reforms as possible before the low tide of counterrevolution swept him away.

Hamdok found that the legacy of 30 years of dictatorship meant that Sudan’s political and economic models were dilapidated. But Burhan and Hemeti blocked the big reforms that Hamdok wanted to make.

Outside Khartoum violence grew. Parts of Sudan such as Darfur saw a new round of conflict between ethnic groups orchestrated by RSF troops. More than 430,000 people were displaced due to conflict in Sudan, mostly in Darfur.

Soldiers did not hide the atrocities they committed against civilians. I remember drinking tea with a soldier aligned with the RSF at his house in Darfur as he explained why he had recently participated in the burning down of a village from another ethnic group.

The soldier reasoned that a member of his tribe had been killed in an altercation, so the RSF-aligned forces took revenge by torching a village that had been home to 30,000 people. At least 163 people died.

Tensions between the SAF and RSF grew. Burhan viewed Hemeti and his RSF forces as upstart usurpers from Darfur who were undisciplined. Hemeti on the other hand believed that it was time for Darfur to lead Sudan.

Hamdok was on the cusp of beginning to turn the economy around when Burhan and the SAF intervened. As we wrote in the book “Sudan’s Unfinished Democracy,” the potential success of a civilian government was too much for Burhan. In October 2021, Hamdok was removed in a military coup.

After the October 2021 coup, the United States and United Nations pushed a worse version of the transitional constitution in Sudan. They argued that it was the best way to bring democracy.

The idea was to restart the transitional period, but I and many others argued it was shortsighted and wouldn’t work. Returning to a government led by Burhan was clearly not going to usher in democracy. If the plan ended in a coup the first time, why would it work the second time?

Some activists stopped partnering with the US and came to see the UN mission as a roadblock to democracy because of these policies. I felt sorry when I spoke with the best American and foreign diplomats, who also understood the international policy in Sudan wouldn’t work. They saw the flaws but felt powerless to dissent and were forced to carry out decisions made many levels above them.

What preceded this weekend’s outbreak of clashes was a controversial part of the international policy that tried to unify the SAF and RSF. The idea was to make a single army, but neither Hemeti nor Burhan wanted to give up the power they had amassed.

The plan to unify the military hadn’t worked in similar contexts. It was a repeat of the 2013 and 2016 unification processes that took place in South Sudan with similarly bloody results. Instead, the tenuous relationship between Burhan and Hemeti boiled over due to the pressure.

It can be easy to look at the recent history of “revolutions” in countries such as Myanmar, Tunisia, Egypt and Sudan and conclude that they eventually backfire. I don’t agree. I learned from Sudanese activists that a nation’s political fortune is an active battle.

We can one day hope that Sudan sees dreams of democracy come true. But right now, the Sudanese people are just hoping to survive the day.

The lesson from Sudan is that a revolution is only the start of change, not the end.



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Holly Jackson: ‘Obviously, I love murder

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Holly Jackson Holly Jackson against a grey backgroundHolly Jackson

Holly’s debut novel A Good Girl’s Guide to Murder has been turned into a series for the BBC

Bestselling author Holly Jackson shares her secrets for plotting a modern murder mystery – and explains how true crime has influenced her.

For the author of A Good Girl’s Guide to Murder, the process of writing a whodunnit is as meticulous as investigating a crime.

“I am obsessive about it,” she says. “I don’t quite have a ‘murder board’ because it’s not on the wall, but it is on the floor.”

Each scene in one of Holly’s books corresponds to an index card, which is then carefully placed into columns for each act in the story. The author admits this “does rather take over the room”.

While this is great for planning a storyline, Holly says opening her office door a “bit too ferociously” can literally blow her plot out of place.

A Good Girl’s Guide to Murder follows plucky heroine Pip Fitz-Amobi as she investigates a closed murder case. Pip soon finds a co-detective in Ravi Singh, whose brother was implicated in the crime.

Each clue, twist and turn in the story has been thoroughly discussed by Holly’s fans on TikTok; the hashtag for A Good Girl’s Guide to Murder – #agggtm – has more than 58,000 posts.

And the story has now been turned into a BBC drama by lead writer Poppy Cogan, with Holly serving as executive producer.

The Guardian called the series a “very modern Nancy Drew,” with fans on TikTok praising the show, stitching their reactions with clips from the new series.

The BBC spoke to Holly about the process of writing her hit novel. “Obviously, I love murder,” she says, “fictional murder.”

‘I need true crime in my ears’

Holly, 31, from Buckinghamshire, published her debut in 2019. She won a British Book Award the following year and has sold millions of copies around the world.

While her fiction fits into the young adult category, Holly does not shy away from heavier topics, like crime. Her first novel, for example, follows the disappearance and apparent murder of a school girl.

And Holly says true crime content – like the podcast Serial – became a “very useful” tool when writing A Good Girl’s Guide to Murder. The structure of the book feels like a podcast, Holly says, adding: “We have transcripts of dialogue the whole time.”

In the sequel to Holly’s first book – called Good Girl, Bad Blood – Pip even creates a true crime podcast herself.

And Holly says this research tool soon seeped into her real-life. “I can’t really do anything without a true crime podcast,” she says. “If I’m walking the dog or washing the dishes, I need true crime in my ears.”

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In the last ten years, true crime series have won international acclaim: Serial won a Peabody Award in 2015 and In The Dark – a long-form investigative journalism series – became the first podcast to win a George Polk Award in 2019. And, according to The New York Times, Serial has had more 705m downloads.

Even Holly is curious why crime is such a popular source of entertainment.

“Especially with young women,” she wonders, “is that like, an instinct in us that’s trying to protect ourselves?”

Georgia Hardstark is the co-host of My Favorite Murder, a US podcast that looks into historic and modern cases, with one episode covering the Dancing Plague of 1518 and the Paper Bag Killer.

For Georgia, part of the reason she is so interested in true crime is that it helps her feel less “paranoid” and validates her anxieties about life, she explains.

“That is at the forefront of my mind, constantly, you know, ‘What’s around the next corner? Are my doors locked?'”

‘I know who the murderer is’

For Holly, the line between fact and fiction is clearly drawn: unlike true crime cases, she always knows “the ending before I even write the first sentence”.

“I knew from the get-go who the murderer was going to be, this whole setup,” she says. “The slightly more complicated thing is not working out the mystery – it’s working out how Pip is going to solve the mystery.”

In A Good Girl’s Guide to Murder, for example, Pip uses her Extended Project Qualification – an accreditation where a student independently researches a given topic – to interview suspects and keep track of clues for the case.

BBC/Moonage/Sally Mais From left to right Emma Myers, Holly Jackson and Zain Iqbal gathered for a script read through of the TV seriesBBC/Moonage/Sally Mais

The story centres on Pip Fitz-Amobi (played by Emma Myers, left) who investigates a closed murder case with the help of Ravi Singh (Zain Iqbal, right)

While Holly uses true crime as a “jumping off” point for research, she notes the content, often used as a source of entertainment, is “obviously, about real life people’s trauma”.

Jessica Jarlvi – a “Scandi-noir” writer and lecturer on the University of Cambridge’s Crime and Thriller Writing course – says things like true crime podcasts risk sensationalising these events.

“It just puts me off,” she says, “whereas in fiction, you don’t have to worry about that.”

In Georgia’s view, however, ignoring real-life crime – often with women victims – “is to sweep it under the rug”.

‘I don’t have passive readers’

Modern crime readers are “becoming more and more demanding”, Jessica adds.

Holly agrees: “I don’t have those passive readers, I have the really active ones who are looking to solve the mystery.”

On TikTok, fans of A Good Girl’s Guide to Murder share videos with their predictions and suspect lists as they read along with the book.

In one video, a reader guides people on how to annotate the book to keep track, colour co-ordinating sections into “clues” and “conflicts”.

“It makes me have to up my game a bit more,” Holly says.

Wondering how to watch A Good Girl’s Guide to Murder? You can stream the series on BBC iPlayer.



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For sale: A piece of California’s country music history

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The famed Buck Owens Crystal Palace, where music legends including Willie Nelson, Dwight Yoakam, Garth Brooks and a young Taylor Swift have played, is up for sale, with the foundation that runs the Bakersfield venue planning to list it for $7 million on Monday.

The nightclub, museum and steakhouse was owned by its namesake Buck Owens, the country music trailblazer who bucked the slick commercial melodies of Nashville for a distinctly West Coast twang. Owens opened the Crystal Palace in 1996, watching it become a premier venue for the biggest names in country music, including himself. Buck and the Buckaroos played there every Friday and Saturday night until his death in 2006.

Jim Shaw, a member of the Buckaroos and a director of the Buck Owens Private Foundation, said that after 28 years of running the famed venue, the Owens family plans to step back and find new owners amid a challenging business climate. The foundation said in a statement that “since Buck’s passing in 2006, we’ve tried to maintain the excellence that he expected, even as it became more and more difficult during these challenging times of increasing food and labor costs.”

The venue is not closing and scheduled events will continue as planned, Shaw said.

“It’s business as usual for now,” Shaw said. “Ideally, someone who wants to keep it exactly as it is will come forward.”

Owens’ youngest son, Johnny Owens, wrote on Facebook that the family’s hope “is that a buyer steps forward with a vision for the future and a reverence” for his father and the Bakersfield Sound.

The Crystal Palace, located on Buck Owens Boulevard, is a major tourism staple for Bakersfield. The 18,000-square-foot venue is next to the city’s downtown entrance.

“It’s the No. 1 tourist attraction in Bakersfield,” Shaw said. “There are people stepping forward and we are waiting to see what happens. I am getting a lot of phone calls. I’m anxious to see what happens.”



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2nd local radio host says they were given questions ahead of Biden interview

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A second local radio host on Saturday told ABC News that he was provided a list of questions in advance of his interview with President Joe Biden this week.

“Yes, I was given some questions for Biden,” Earl Ingram of CivicMedia told ABC News. Ingram, a prominent host of a Wisconsin radio station, interviewed Biden this week in the wake of his debate performance.

Ingram said he was given five questions and ended up asking four of them.

“I didn’t get a chance to ask him all the things I wanted to ask,” he said.

Ingram is the second interviewer who now says they were provided questions by Biden aides to ask the president this week. Earlier today, another local radio host who interviewed Biden this week told CNN she was given questions to ask Biden before the interview.

PHOTO: President Joe Biden speaks to supporters during a campaign rally at Sherman Middle School, on July 5, 2024, in Madison, Wisconsin.  (Scott Olson/Getty Images)PHOTO: President Joe Biden speaks to supporters during a campaign rally at Sherman Middle School, on July 5, 2024, in Madison, Wisconsin.  (Scott Olson/Getty Images)

PHOTO: President Joe Biden speaks to supporters during a campaign rally at Sherman Middle School, on July 5, 2024, in Madison, Wisconsin. (Scott Olson/Getty Images)

“We do not condition interviews on acceptance of these questions, and hosts are always free to ask the questions they think will best inform their listeners,” the Biden campaign told ABC News on Saturday.

Ingram told ABC he didn’t see anything necessarily wrong with the practice. “To think that I was gonna get an opportunity to ask any question to the President of the United States, I think, is a bit more than anybody should expect,” he said.

He continued that he was grateful for the opportunity to interview Biden at all.

“Certainly the fact that they gave me this opportunity … meant a lot to me,” Ingram said.

MORE: Wealthy Democratic donors sound alarm over Biden staying in race

On CNN earlier today, Andrea Lawful-Sanders, the host of WURD’s “The Source,” said Biden officials provided her with a list of eight questions ahead of their interview with Biden.

“The questions were sent to me for approval; I approved of them,” she said.

“I got several questions — eight of them,” she continued. “And the four that were chosen were the ones that I approved.”

Responding to Lawful-Sanders, Biden campaign spokesperson Lauren Hitt said in a statement that it’s not “uncommon” for interviewees to share topics they would prefer. She noted that Lawful-Sanders was “free” to ask any questions she saw fit. She also noted that it was the campaign who sent over the questions and not the White House as other reports claim.

Lawful-Sanders did note in her interview with CNN that she ultimately “approved” the questions provided.

“It’s not at all an uncommon practice for interviewees to share topics they would prefer. These questions were relevant to news of the day – the president was asked about this debate performance as well as what he’d delivered for black Americans,” the statement said.

“We do not condition interviews on acceptance of these questions, and hosts are always free to ask the questions they think will best inform their listeners. In addition to these interviews, the President also participated in a press gaggle yesterday as well as an interview with ABC. Americans have had several opportunities to see him unscripted since the debate.”

A source familiar with the Biden booking operation told ABC News that moving forward they will “refrain” from offering suggested questions to interviewers.

“While interview hosts have always been free to ask whatever questions they please, moving forward we will refrain from offering suggested questions.”

2nd local radio host says they were given questions ahead of Biden interview originally appeared on abcnews.go.com



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